Flute Haven - Staff and Facilitators

Clint Goss

Clint Goss, Ph.D. is a trained music facilitator and performer on world flutes and instruments. Clint and his wife, Vera, have facilitated energetic and inspirational Native Flute workshops since 2003. They bring out the potential in all participants, regardless of their level of musical experience.

www.ClintGoss.com

Ron Kravitz

Ron is the creator of Music in the Moment improvisational workshops for everyone and is producer of Underground At Ron's, a performance venue that showcases the talents of local and regional artists from a variety of creative domains. He is also a long time percussionist for the Group Motion dance improvisation workshop in Philly. He may be reached at ron@MusicInTheMoment.com.

www.MusicInTheMoment.com

Eric Miller

Music improvisation specialist, Dr. Eric Miller, is a researcher, consultant, published author, certified biofeedback therapist and board-certified music therapist. Dr. Miller has instructed Music Therapy classes at the Naropa Institute, Hahnemann University, Bryn Mawr College, Montgomery County Community College and has served as adjunct faculty in the Immaculata University Music Therapy Department since 2000. Eric plays the mandolin, guitar, bass, banjo, sitar, harmonica and various percussion instruments, and has played in musical groups of many different styles, including rock, blues, jazz, reggae, bluegrass and country. He may be reached at Eric@Musicforpeople.org.

www.SpiritGrass.com

Lynn Miller

Lynn provides a supportive atmosphere for opening your natural voice. Through fun vocal warm-ups and improvisation structures, she assists in freeing inhibitions and broadening expression. Lynn is a trained music facilitator, music therapist, and is on the staff of Music for People, a four year training program in music improvisation. She facilitates vocal improvisation groups in France, Switzerland, Italy and the U.S.

www.LynnMiller.org

Vera Shanov

In a room full of flute players, Vera provides counterpoint, be it percussion and rhythm or poetry for flute accompaniment. Coming from a marketing background, she brings a perspective of "knowing your audience" and encourages flute players to expand their musical repertoire of styles so that they can serve a wider audience.